Amazing Spider-Man #114. Dr Octopus and Hammerhead

(Cover from November 1972.)

"Gang War, Shmang War! What I want To Know Is...Who The Heck Is Hammerhead?"

Words by Gerry Conway.
Art by John Romita/Jim Starlin/T Mortellaro.
Lettering by Artie Simek.

Hammerhead. What images that name conjures up. Right from the moment you first hear it, you know what a character called Hammerhead's going to be like; a deadly opponent of the Sub-Mariner. Sleek and deadly, armed with huge strength and cunning.

What's that? He's not? Turns out he's just some two-bit hood with a hard head?

You may have guessed I've never been a huge fan of Hammerhead. I mean, if Spider-Man - or anyone else - wants to beat him, all they have to do is make sure to hit him anywhere except the noggin.

Sadly, this never seems to occur to either Spidey or Doc Ock, two men of proven genius. The story itself''s OK but I don't think anyone's going to be putting it on their list of Spider-Man classics. I also have to say that Hammerhead's revolving office is plain ludicrous. Exactly what purpose it serves for the villain is anyone's guess.

Highlight of the tale has to be its climax, with Aunt May in league with Dr Octopus and clobbering Spider-Man - also introducing the concept that Spidey can't sense threats if they come from friends or loved ones. It's an idea Gerry Conway would use again in a far more significant tale than this but, right now, it's new, and if there's an ending you didn't see coming, it has to be this one.

On the art front, it's the second issue running that Jim Starlin gets an art assist credit - and the second issue running that I can't see even the vaguest hint of his involvement. I guess that, despite having once been bitten by a radioactive artist detector, my artist detector sense isn't all it could be.

Or perhaps I can only detect art assists from my enemies and not from my friends and loved ones...?

Amazing Spider-Man #113. Dr Octopus and Hammerhead

(Cover from October 1972.)

"They Call the Doctor, 'Octopus!'"

Words by Gerry Conway.

Art by John Romita, Jim Starlin, T Mortellaro.

Lettering by Artie Simek.

What an unbelievable Doctor Dr Bromwell is. Just by planting a stethoscope on Peter Parker's chest, and having been told none of his symptoms, he can tell instantly that he has a duodenal ulcer. No wonder Americans don't want a National Health Service if their system produces medics of this calibre.

But then, doctors have always been clever in Spider-Man. Look at Doc Ock. Not content with seeing off our hero - and removing his mask in the process - he then refuses to fall into the trap of his mysterious new rival for control of the local crime scene. But, in truth this isn't that much of a story. Spidey fights Octopus a couple of times, ultimately beats him with one punch and then Octopus's mystery rival's revealed.

Something that does leap out at me during this issue is a strange thing that happens only in the world of comic books, where people who're basically friends insist on calling each other by their surnames. It happens in The Fantastic Four all the time, where, for instance, Mr Fantastic and Ant Man will have a conversation, and Mr Fantastic will be calling Ant Man, "Pym," and Ant Man will be calling Mr Fantastic, "Richards." The very same thing happens in this tale with Peter and Ned calling each other by their surnames even though they've known each other for years. Why is this? As every writer seems to do it, it's clearly a convention of the comic book industry but I've never been able to work out why.

On the Gerry Conway front - not content with giving Spider-Man an ulcer - for some reason, he decides to lumber him with a comedy mask he can't breathe through. In my book, the replacement mask has to be one of the most annoying subplots the strip's ever had and it's a blessed relief for us all, not just Spider-Man, when the day finally arrives where the mask is disposed of.

Trouble is, that's not till issue #116 and we're only on issue #113. :(